« And who sees the mystery » is a music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.
Far from an ethnographic account, his composition is an abstract sonic exploration of traditional instruments, rhythms and spaces. It also features a poetic text in Amazigh language by Farid Zalhoud, “Tribute to the Ear”, commissioned especially for the project.
“…The resulting sounds elicit a sense of creation and destruction, tightly bound together, held in stasis for perusal.”
— Decoder Magazine (USA)
“This is some fascinating stuff, I must say. This is not your usual layering of some water/rain/sea/forest sounds, but a rather intense trip…”
— Vital Weekly (NL)
“Feldaufnahmen von Amazigh-/Berber-Trommeln und -gesängen bilden den Kern einer weniger ethnologisch-musealen als klanglich-aktuellen Annäherung…”
— Bad Alchemy (DE)
“Voices, combined with LoFi noises, his typical microelectronics and drones create a super interesting grounded sound…”
— Diskoryxeion (GR)
“De sa nouvelle errance, Gilles Aubry a ainsi fait deux (sur)faces pleines et ravissantes.”
— Le Son Du Grisli (FR)
“… das ist bei weitem nicht die erste brillante Veröffentlichung des Berliner Corvo-Labels.”
— freistil (AT)
“… un affascinante quadro acustico che unisce la forza visionaria e sciamanica, essenzialmente pastorale, delle sonorità di base con la sua sensibilità compositiva.”
— Sound And Silence ZINE (IT)
More Info:
corvorecords.de/release/gilles-aubry-and-who-sees-the-mystery/
released December 6, 2017
Soundchecks and warm up sessions recorded by Gilles Aubry in Morocco
between June 2013 and March 2014, in collaboration with Zouheir Atbane
Participating musicians:
Abd Bemsliman Al-Omari, Mohamed Ouakrim, Azkri Othman
Ali Ajraam & Mohamed Tamalut (percussions, Tafraout)Singers of Addal (Tafraout), Mina Haddadi, Fatim Abdula Asfar, Saloa Tarkout, Zouhra Haddadi, Fatima Cheddadi, R‘kia, Habiba Zribou, Khadija Naim, Nadia Bourdi, Fatima Habibi, Abdallah Haddou (zamar), Ben Allal Abderrahmane & Manssour Belkhyalatt (percussions, oujda)
Feedback, re-recording and sound editing by Gilles Aubry
Additional studio recording at Audiocue Tonstudio Berlin, February 2016
Mastering by Kassian Troyer, cut at Schnittstelle
Original poem in Tifinagh by Farid Mohamed Zalhoud, commissioned by Gilles Aubry & Zouheir Atbane for the video “Tribute to the Ear“
www.archive.org/tributetotheear
Graphic design by Wendelin Büchler
Limited to 300 copies