“The sleeve itself is triple-gatefold, beautifully printed on both sides of white card, has a die-cut hole in one panel, and given the size of the LP edition the sleeve has every right to be regarded as an art print….”
— The Sound Projector (UK)
“…I came at it again with a different point of view, and I just sort of listened to it. I can’t say it made sense, but it is sound, and you make of it what you can. It’s interesting, and like much art it asks more questions than maybe it answers…”
— Cadence Magazine (USA)
“…Dog ears may be required to consume some of this, but what you can hear – headphones strongly recommended to do so, by the way – are challenging, disparate sounds, flickering past your ear like gnats in the humid American summer. “
— Dusted Feature (USA)
After meeting for the first time in Beirut during the Irtijal Festival 2006, Axel Dörner and Jassem Hindi had their first musical collaborationin Switzerland two years later in 2008. From that time on they have regularly performed as a duo on different occasions. The music of the duo is electroacoustic music with trumpet and electronics, both musicians using their musical equipment and systems in an unusual way, developing their own techniques of sound creation.They are interested in exploring different possibilities of combinations of all musical parameters in a new way, so that the shape of their music can, for example, lead into unstable electric fields, frozen soundcolumns, and unexpected cuts in a surprising order.
The recordings for their album „waterkil“ were made during a three week residency at EMS in Stockholm and during a live show at -able gallery in Berlin. Audible snapshots of a river course transform itself into liquid oil paint on a defibrated canvas of a landscape painting, the surface scratched by a rusty palette knife. From reductionistic hisses and crackles the range goes to distorted arabian family-life field recordings and confronts these elements with a noisy and voluminous climax of electronic drone layers. The miniatures are frequently interrupted by parts of silence, giving the whole piece a very dynamic structure.
The lavish three page gatefold cover is based on drawings by Matthias Reinhold. The outer side shows a panoramic pencil drawing of something that could be a river looming through an entanglement of spiny rank growth. Inside is a agglomerate of small particels, each one a kind of a representative of the miniatures audible on the crystal clear Vinyl. Like undecipherable magic characters or unknown species of insects dispersed on the cardboard and specifically invented by Matthias Reinhold for the record.
credits
released December 6, 2017
Axel Dörner — trumpet, electronics
Jassem Hindi — diverted machines, amplified broken objects, contact microphones, magnetic tapes, no-fi field recordings, no-input mixing board, feedback
caol: 19:17
recorded october 6, 2011 at EMS Stockholm
able: 19:20
recorded june 11, 2011 live at -able Gallery Berlin
Mastered by Kassian Troyer
Cover artwork based on drawings by Matthias Reinhold
Graphic Design by Christian Göbel
– play on 45 rpm! –
Corvo Record is a label for sound art and contemporary music, founded 2010 in Berlin by Wendelin Büchler. We focus on the
production of primarily vinyl records and art books. Each of the label’s release, is ambitiously produced with the highest possible sound quality and great care for both the visual and haptical aspect. This gives our releases an object-like character....more
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